London-based music supervisor specialising in feature films, documentaries and television
I started my career at Leland Music and Box to Box Films, before joining the supervision agency We Are Golden. I have been freelance since 2024. My credits range from major Netflix docu-series such as the BAFTA-nominated Drive to Survive and Emmy-nominated Tour de France: Unchained to independent features including Kindling and Grand Theft Hamlet.
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Clearance and contract negotiation for commercial music, managing the process from initial outreach to final approvals so everything stays smooth and on schedule.
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Production and commercial music searches, scene-specific ideas, tailored playlists, and detailed rights research for niche, rare, or archival recordings.
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Drawing on a wide network of composers and artists, and supporting process as a score producer to keep things creatively aligned and running well.
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Practical, clear advice on budgets for projects of any scale, helping you plan costs realistically and make the most of your resources.
I help shape the musical identity of a project from pitch to final delivery, balancing creative vision with practical licensing. My approach is collaborative and grounded in a broad, eclectic musical knowledge
If youād like to discuss a project, collaborate, or even share some music, feel free to get in touch - Iād love to hear about what youāre working on.
Work
Work
Mad Bills to Pay
Super Nature
Grand Theft Hamlet
The Visitor
Free Party: A Folk History
Matchroom: The Greatest Showmen
I'm Carl Lewis
No Taste Like Home with Antoni Porowski
The Lesson
Formula 1: Drive to Survive
Tour De France: Unchained
Six Nations: Full Contact
Kindling
Let Me Go
Kryptic
Tiger
The Session Man
Little Richard: King and Queen of Rock ānā Roll
Running with the Devil: The Wild World of John McAfee