I’m a London-based music supervisor with over seven years’ experience specialising in documentaries, television, and feature films.

I started my career at Leland Music and Box to Box Films, before joining the supervision agency We Are Golden and eventually going freelance in 2024. My credits range from major Netflix docu-series such as the BAFTA-nominated Drive to Survive and Emmy-nominated Tour de France: Unchained to independent features including Kindling and Grand Theft Hamlet.

I can help with:

Clearance, and contract negotiation for commercial music usage.
Including production and commercial music playlists, scene-specific searches, and detailed rights research for niche or archival recordings.
Drawing on a wide network of composers and artists, and supporting as a score producer.
Consultancy across projects of all sizes.

I help shape the musical identity of a project from pitch to final delivery, balancing creative vision with practical licensing. My approach is collaborative and grounded in a broad, eclectic musical knowledge

If you’d like to discuss a project, collaborate, or even share some music, feel free to get in touch - I’d love to hear about what you’re working on.