London-based music supervisor specialising in feature films, documentaries and television

I started my career at Leland Music and Box to Box Films, before joining the supervision agency We Are Golden. I have been freelance since 2024. My credits range from major Netflix docu-series such as the BAFTA-nominated Drive to Survive and Emmy-nominated Tour de France: Unchained to independent features including Kindling and Grand Theft Hamlet.

  • Clearance and contract negotiation for commercial music, managing the process from initial outreach to final approvals so everything stays smooth and on schedule.

  • Production and commercial music searches, scene-specific ideas, tailored playlists, and detailed rights research for niche, rare, or archival recordings.

  • Drawing on a wide network of composers and artists, and supporting process as a score producer to keep things creatively aligned and running well.

  • Practical, clear advice on budgets for projects of any scale, helping you plan costs realistically and make the most of your resources.

I help shape the musical identity of a project from pitch to final delivery, balancing creative vision with practical licensing. My approach is collaborative and grounded in a broad, eclectic musical knowledge

If you’d like to discuss a project, collaborate, or even share some music, feel free to get in touch - I’d love to hear about what you’re working on.

Work

Work